Raul A. Fernandez
From Afro-Cuban Rhythms to Latin Jazz
215 pages, 6 x 9 inches, 8 b/w photographs, 8 music examples
May 2006, Available worldwide
Categories: Music; Jazz; Popular Music; Latin American Studies
May 2006, Available worldwide
Categories: Music; Jazz; Popular Music; Latin American Studies
Downloadable eBook version available:
Adobe E-Reader at ebooks.com, $15.95
Adobe E-Reader at ebooks.com, $15.95
"From Afro-Cuban Rhythms to Latin Jazz is an illuminating and remarkable study. This book is written with unparalleled authority and expertise, a true gem of a work."—Danilo Lozano, Flutist, Record producer, Whittier College Professor
"As curator of the Smithsonian exhibit 'Latin Jazz: La Combinación Perfecta (Perfect Combination)' and author of its accompanying book, Dr. Raul Fernandez has helped fill a void recognizing the Latino contribution to the American musical idiom of jazz. Now he further expands on that theme by exploring the lives of unsung Cuban musicians who helped shaped not only jazz but also American popular music. Dr. Fernandez is a treasure of musical scholarship that affirms that the Latino involvement in shaping and playing the popular music of the United States is more than just a footnote."—Jesse "Chuy" Varela, Contributing writer, San Francisco Chronicle, Jazz Times, and Latin Beat Magazine
"As curator of the Smithsonian exhibit 'Latin Jazz: La Combinación Perfecta (Perfect Combination)' and author of its accompanying book, Dr. Raul Fernandez has helped fill a void recognizing the Latino contribution to the American musical idiom of jazz. Now he further expands on that theme by exploring the lives of unsung Cuban musicians who helped shaped not only jazz but also American popular music. Dr. Fernandez is a treasure of musical scholarship that affirms that the Latino involvement in shaping and playing the popular music of the United States is more than just a footnote."—Jesse "Chuy" Varela, Contributing writer, San Francisco Chronicle, Jazz Times, and Latin Beat Magazine
This book explores the complexity of Cuban dance music and the webs that connect it, musically and historically, to other Caribbean music, to salsa, and to Latin Jazz. Establishing a scholarly foundation for the study of this music, Raul A. Fernandez introduces a set of terms, definitions, and empirical information that allow for a broader, more informed discussion. He presents fascinating musical biographies of prominent performers Cachao López, Mongo Santamaría, Armando Peraza, Patato Valdés, Francisco Aguabella, Cándido Camero, Chocolate Armenteros, and Celia Cruz. Based on interviews that the author conducted over a nine-year period, these profiles provide in-depth assessments of the musicians' substantial contributions to both Afro-Cuban music and Latin Jazz. In addition, Fernandez examines the links between Cuban music and other Caribbean musics; analyzes the musical and poetic foundations of the Cuban son form; addresses the salsa phenomenon; and develops the aesthetic construct of sabor, central to Cuban music.
Copub: Center for Black Music Research
Copub: Center for Black Music Research
Preface
PART I. Popular Music: Worksong of the Caribbean
1. The Salsa Concept
2. Ontology of the Son
3. The Aesthetics of Sabor
PART II. On the Road to Latin Jazz
4. Magic Mixture
5. Drumming in Cuban
6. Lords of the Tambor
7. Chocolate Dreams
8. The Taste of ¡Azúcar!
Afterword
Notes
Index
PART I. Popular Music: Worksong of the Caribbean
1. The Salsa Concept
2. Ontology of the Son
3. The Aesthetics of Sabor
PART II. On the Road to Latin Jazz
4. Magic Mixture
5. Drumming in Cuban
6. Lords of the Tambor
7. Chocolate Dreams
8. The Taste of ¡Azúcar!
Afterword
Notes
Index
Music and Revolution: Cultural Change in Socialist Cuba, by Robin D. Moore"Mek Some Noise": Gospel Music and the Ethics of Style in Trinidad, by Timothy Rommen
Rara! Vodou, Power, and Performance in Haiti and Its Diaspora, by Elizabeth McAlister
My Music Is My Flag: Puerto Rican Musicians and Their New York Communities, 1917-1940, by Ruth Glasser
Rara! Vodou, Power, and Performance in Haiti and Its Diaspora, by Elizabeth McAlister
My Music Is My Flag: Puerto Rican Musicians and Their New York Communities, 1917-1940, by Ruth Glasser















